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In the middle of the 10th century Korean artists, some who had been schooled in China, began creating celadon by using inlay and copper glazing techniques which were developed first in China but only fully developed and perfected by Korean artisans.

The Korean use of these techniques were unique in the history of pottery.

The literal meaning of the word Cheong-Ja is blue/green porcelain.

Bun-cheong - This is the name of the brown or light brown pottery and, although a misnomer since celadon literally means green, it is sometimes called "brown celadon".

By the beginning of the Chosun Dynasty (1392-1910) most of the delicate manufacturing techniques for celadon had been lost.

The level of fine quality and beauty they were able to achieve in their work surpassed that of other countries and came to be revered by even the Chinese for it's elegant, yet simple beauty.

The Koryo Royal Court also used some of the finest examples of celadon pottery in their palaces both as vessels for daily use and as objects of fine art.

The Koryo Dynasty, which lasted from 918 to 1392 AD had a strong Buddhist influence which shaped many of it's cultural achievements.

Buddhist temples flourished during the Koryo period, and with them grew a need for fine vessels to be used during the many ritual ceremonies.

For lack of a proper western term for this unique Korean pottery we have called it by either its true name, Bun-cheong, or "brown porcelain" to help distinguish it from the other colors of pottery.

Baek-ja - Although it is sometimes, incorrectly, called white celadon, Baek-Ja literally means white porcelain and is the name for the white pottery made by Korean artisans. Though the history of Korean pottery stretches back to the Neolithic age and the rough "Black Comb Pottery" produced by early tribes, the pinnacle of Korean pottery was the development and perfection of celadon (Cheong-Ja) during Korea's Koryo Dynasty.

The finest examples of celadon were produced during the middle and latter part of the 11th century by artisans who remain unknown today.

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With the Mongol Invasions which started in 1231 AD the flourishing culture began to decline, and along with it, the quality of the pottery being produced.

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